I've started reading essays by the late novelist and poet Jenny Diski. They were originally published in the London Review of Books and 34 of them have been brought together by Jenny's editor Mary-Kay Wilmers in Why Didn't You Just Do What You Were Told?. I'm reading one a night, in bed.
I'm interested in the notion of: what is an essay? As opposed, say, to a blog post. Or a newspaper comment item. Is it a matter of length? Quality? Purpose? The very word essay reminds one of school - a duty performed reluctantly, with quantity and topicality the primary goals (marks for length and relevance). A comment piece, as written perhaps by one of my favourite columnists Giles Coren in the Times, is attention-seeking and designed to titillate whilst a blog post might be argumentative and persuasive. But I can't seriously be comparing myself with Jenny or Giles. It's a statement of the bleedin' obvious that they are proper writers and I am not. Jenny is a writer, Giles a journalist, I a blogger. A poet, an artisan and a dilettante. The sheer quality of Jenny's writing in particular is unassailable.
Nevertheless it leaves open the question of genre. One of Jenny's essays is typically around 4,000 words, a piece by Giles 500, one of my blog posts maybe 400. So there is undoubtedly substance to essaying, indicative probably of breadth of thought and depth of subject matter. I don't think I could write 4,000 words about anything or even think enough thoughts on a single topic to engage to that degree. There is also the readership question. The London Review of Books has a circulation of 45,000, the Times 400,000. I have, measured by frequency of comment and interest expressed, a woman, a man and a cat called Coco. And I have yet to receive a comment from Coco, although she is clearly an influential reader. I say reader but cats obviously can't read - but they can look and, shortly after I started blogging, came a request for ... pictures. Later, a suggestion of moving pictures. Cats have eyes and paws and I can be pretty sure whence came these requests. What next, a catcast?
Worth noting that essays and comment columns don't have pictures or videos; hah!
The first essay in the book is Moving Day. It's initially about a live-in-lover moving out and segues to post-lover life as Jenny describes it:
Tuesday, Wednesday, Thursday. Nothing. Nothing. These are the days. Don't speak to anyone. Leave the answering machine on. This is it, then. Me in my space. Me and my melancholy. I do nothing. I get on with the new novel. Smoke. Drink coffee. Smoke. Write. Stare at ceiling. Smoke. Write. Lie on the sofa. Drink coffee. Write. It is a kind of heaven.
It does sound heavenly. Well, perhaps without the fags. And the caffeine. And the melancholy. She claims that "a fraud is being perpetrated: writing is not work, it's doing nothing." I don't really know what this means but I find it an attractive notion.
There's a deal of self-revelation in her writing which I personally could not countenance. I guess it's one of the many things that would distance me from any proper writer, that I write at a distance from my subject matter, keeping myself at arm's length from the reader by deflecting into frippery. A serious writer reveals her soul; I'm not sure I have one. There's a final question: longevity. In fifty years' time there will be people in this world reading Jenny's essays. In comparison, my blog posts are transient, of momentary interest hopefully but nothing more, almost designed to be disposable as I move on to the next topic passing by my impatient mind.
What I do have is personal contact with my readers; can a novelist hope to replicate that? I'm not sure who a novelist writes for but I suspect it might be herself. I write for my readers. Who will probably be relieved to know that I won't be troubling you with reviews of all thirty four of these essays. I made this decision after reading the second, with its gruesome details of the murders committed by Jeffrey Dahmer and Dennis Nilsen, in which the author explores the realms of background, motive, remorse and punishment. I can imagine Coco covering her eyes and ears already.
Tonight's essay subject: Howard Hughes: "He Could Afford It". Maybe it will sleep me a good sleep. "Our little life is rounded with a sleep" (The Tempest).
Throughout my life, I never thought of myself as a writer. That's not going to change.